About Cookies

We want you to enjoy your visit to our website. That's why we use cookies to enhance your experience. By staying on our website you agree to our use of cookies.

What's On

  • When?
  • Or

Now showing at Cineworld Bexleyheath 28-70,Broadway,Bexleyheath,Kent DA6 7LL 0871 200 2000

  • Jurassic World
  • Jurassic World 3D
  • Knock Knock
  • Magic Mike XXL
  • Minions
  • Minions 3D
  • Mr Holmes
  • Spy
  • Ted 2
  • Terminator Genisys
  • Terminator Genisys 3D
  • The Longest Ride

Jurassic World 4 stars

movie title

The Jurassic World theme park is open on Isla Nublar under the control of Operations Manager Claire Dearing. The park's scientists play God by performing genetic modification experiments to breed a new dinosaur: the Indominus Rex. When this hulking beast escapes confinement and goes on the rampage in a park crowded with terrified tourists, animal wrangler Owen Grady races to the rescue.

  • GenreAction, Adventure, Family, Science Fiction, Thriller
  • CastJudy Greer, Chris Pratt, Ty Simpkins, Bryce Dallas Howard, Vincent D'Onofrio, Nick Robinson.
  • DirectorColin Trevorrow.
  • WriterRick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly.
  • CountryUS
  • Duration124 mins
  • Official sitewww.jurassicworld.com
  • Release11/06/2015

In the original Jurassic Park, scientists reanimate dinosaurs on a tropical island and quickly discover their arrogant folly. "Life breaks free. It expands to new territories and crashes through barriers," wisely observes Jeff Goldblum's doom-mongering chaos mathematician. His words reverberate throughout this fourth instalment of the blockbusting dino-franchise.

Director Colin Trevorrow and three co-writers step back in time, using the structure and heightened human drama of the first film as a solid template for this return to Isla Nublar. Jurassic World begs, borrows and affectionately steals from the 1993 box office behemoth, including a cameo for the Mr DNA animation and a set piece in the iconic visitor centre (now overgrown).

Two stricken children are a focal point when the park goes into meltdown, and mission control boasts a nerdy computer wizard (Jake Johnson) for mild comic relief. If the nuts and bolts of the screenplay are unabashedly retro, the special effects are undeniably state-of-the-art, realising creatures great and small, which chomp through countless extras and the main cast.

This is by far the bloodiest chapter of the Jurassic saga, if not quite the best. Jurassic World opened to the public in 2005 and now welcomes more than 20,000 visitors a day. Claire Dearing (Bryce Dallas Howard) oversees park operations, while Dr Henry Wu (BD Wong) plays God in the laboratories, splicing DNA strands to create terrifying new breeds.

"Consumers want them bigger, louder, more teeth," Claire tells a group of investors. Thus the ferocious and highly intelligent Indominus Rex is born. "This will give the parents nightmares," shudders park CEO Simon Masrani (Irrfan Khan), who took up the mantle from John Hammond to open an isle of prehistoric wonders.

When the Indominus Rex escapes her paddock, Claire begs naval officer-turned-animal behaviour specialist Owen Grady (Chris Pratt) for help. He has been working on the island with Vic Hoskins (Vincent D'Onofrio), head of InGen Security, on a top-secret project involving four captive velociraptors.

Claire is distraught because her nephews, Zach (Nick Robinson) and Gray (Ty Simpkins), are trapped in the middle of the bloodbath. She implores Owen to rescue the boys, tracking them by footprints and scent. "I was in the Navy, not the Navajo," he reminds her.

Jurassic World is a muscular, rollicking romp that captures some of the adrenaline-pumping thrills and jaw-dropping awe we felt more than 20 years ago when Steven Spielberg first unleashed dinosaurs back into multiplexes.

Pratt is an instantly likable hero and he catalyses a simmering screen chemistry with Howard as the workaholic who faces the dino-pocalypse in highly inappropriate footwear. D'Onofrio glowers as one of the film's boo-hiss villains, who views the creatures as expendable assets. "We own them. Extinct animals have no rights," he snarls.

Action sequences are orchestrated at a lick, seamlessly integrating digital trickery with live action including chaotic scenes of a flock of pteranodons plucking visitors from the ground. "Remember: something chases you, run!" advises Zach and Gray's mom at the beginning of the film. Wise words.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Jurassic World 3D 4 stars

movie title

The Jurassic World theme park is open on Isla Nublar under the control of Operations Manager Claire Dearing. The park's scientists play God by performing genetic modification experiments to breed a new dinosaur: the Indominus Rex. When this hulking beast escapes confinement and goes on the rampage in a park crowded with terrified tourists, animal wrangler Owen Grady races to the rescue.

  • GenreAction, Adventure, Family, Science Fiction, Thriller
  • CastJudy Greer, Chris Pratt, Ty Simpkins, Bryce Dallas Howard, Vincent D'Onofrio, Nick Robinson.
  • DirectorColin Trevorrow.
  • WriterRick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly.
  • CountryUS
  • Duration124 mins
  • Official sitewww.jurassicworld.com
  • Release11/06/2015

In the original Jurassic Park, scientists reanimate dinosaurs on a tropical island and quickly discover their arrogant folly. "Life breaks free. It expands to new territories and crashes through barriers," wisely observes Jeff Goldblum's doom-mongering chaos mathematician. His words reverberate throughout this fourth instalment of the blockbusting dino-franchise.

Director Colin Trevorrow and three co-writers step back in time, using the structure and heightened human drama of the first film as a solid template for this return to Isla Nublar. Jurassic World begs, borrows and affectionately steals from the 1993 box office behemoth, including a cameo for the Mr DNA animation and a set piece in the iconic visitor centre (now overgrown).

Two stricken children are a focal point when the park goes into meltdown, and mission control boasts a nerdy computer wizard (Jake Johnson) for mild comic relief. If the nuts and bolts of the screenplay are unabashedly retro, the special effects are undeniably state-of-the-art, realising creatures great and small, which chomp through countless extras and the main cast.

This is by far the bloodiest chapter of the Jurassic saga, if not quite the best. Jurassic World opened to the public in 2005 and now welcomes more than 20,000 visitors a day. Claire Dearing (Bryce Dallas Howard) oversees park operations, while Dr Henry Wu (BD Wong) plays God in the laboratories, splicing DNA strands to create terrifying new breeds.

"Consumers want them bigger, louder, more teeth," Claire tells a group of investors. Thus the ferocious and highly intelligent Indominus Rex is born. "This will give the parents nightmares," shudders park CEO Simon Masrani (Irrfan Khan), who took up the mantle from John Hammond to open an isle of prehistoric wonders.

When the Indominus Rex escapes her paddock, Claire begs naval officer-turned-animal behaviour specialist Owen Grady (Chris Pratt) for help. He has been working on the island with Vic Hoskins (Vincent D'Onofrio), head of InGen Security, on a top-secret project involving four captive velociraptors.

Claire is distraught because her nephews, Zach (Nick Robinson) and Gray (Ty Simpkins), are trapped in the middle of the bloodbath. She implores Owen to rescue the boys, tracking them by footprints and scent. "I was in the Navy, not the Navajo," he reminds her.

Jurassic World is a muscular, rollicking romp that captures some of the adrenaline-pumping thrills and jaw-dropping awe we felt more than 20 years ago when Steven Spielberg first unleashed dinosaurs back into multiplexes.

Pratt is an instantly likable hero and he catalyses a simmering screen chemistry with Howard as the workaholic who faces the dino-pocalypse in highly inappropriate footwear. D'Onofrio glowers as one of the film's boo-hiss villains, who views the creatures as expendable assets. "We own them. Extinct animals have no rights," he snarls.

Action sequences are orchestrated at a lick, seamlessly integrating digital trickery with live action including chaotic scenes of a flock of pteranodons plucking visitors from the ground. "Remember: something chases you, run!" advises Zach and Gray's mom at the beginning of the film. Wise words.

Knock Knock 3 stars

During a storm, married man Evan opens his front door to two rain-soaked girls called Bel and Genesis. He allows them in to use the telephone and dries their clothes. The girls subsequently seduce Evan and the next morning, with the girls leave, Evan is crippled with guilt. The following night, Bel and Genesis return to the house and knock Evan unconscious so he must become an unwitting pawn in their sick and twisted game of torture and atonement.

  • GenreHorror, Romance, Thriller
  • CastLorenza Izzo, Ana de Armas, Keanu Reeves.
  • DirectorEli Roth.
  • WriterEli Roth, Guillermo Amoedo, Nicolas Lopez.
  • CountryChile/US
  • Duration99 mins
  • Official site
  • Release26/06/2015

Since he made his eye-catching directorial debut in 2002 with the gore-slathered horror Cabin Fever, writer-director Eli Roth has been championing the genre behind the camera or as a producer with gruesome and chilling films such as 2001 Maniacs, Hostel and The Last Exorcism. Roth stays true to his roots with this suburban nightmare about a father who is terrorised in his house by two young women. Evan (Keanu Reeves) kisses farewell to his wife Karen (Ignacia Allamand) and two children, who are heading off on a trip, leaving him alone in the house. That night, during a bitter storm, two rain-soaked girls called Bel (Ana de Armas) and Genesis (Lorenza Izzo) knock at the front door and ask Evan if they could please use his telephone. He generously lets them in and dries their sodden clothes, then allows himself to be seduced by the two girls into an illicit sexual liaison. The next morning, with the girls gone, Evan is crippled with guilt but hopes that he can forget about his indiscretion. Unfortunately, Bel and Genesis return to the house and knock Evan unconscious so he must become an unwitting contestant in their sick and twisted game. The girls inflict torture on Evan and the husband realises that his captors have no intention of letting him survive his horrifying ordeal.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Magic Mike XXL 2 stars

movie title

Mike and his fellow dancers Ken, Richie, Tarzan and Tito have been at the top of their pelvis-thrusting game for too long and the end is nigh for the Kings of Tampa. The gang decides to bow out in style with a final performance in Myrtle Beach. En route to this emotional farewell, the men make a detour to Savannah to visit Mike's old stomping ground: the Domina private club run by sassy businesswoman Rome.

  • GenreComedy, Drama, Romance
  • CastElizabeth Banks, Channing Tatum, Amber Heard, Kevin Nash, Joe Manganiello, Adam Rodriguez, Jada Pinkett Smith, Matt Bomer.
  • DirectorGregory Jacobs.
  • WriterReid Carolin.
  • CountryUS
  • Duration115 mins
  • Official sitewww.magicmikemovie.com
  • Release03/07/2015

Size matters to Magic Mike XXL. Apart from the tease in the title of this pelvis-thrusting sequel, Gregory Jacobs' third feature is longer and showier than the original. The film dutifully thrusts its crotch towards the target demographics, intentionally showing paying women customers of every age, ethnicity and shape enjoying the raunchy dance solos, and shoehorning a superfluous scene in a gay club that enforces limp-wristed stereotypes.

Unfortunately, the breathlessly staged performances are forced to bump 'n' grind against a script that is flimsier than a moth-eaten G-string. The narrative lacks pace and purpose, most of the characters are limited to one scene of personal development, and a central romance between Channing Tatum and on-screen love interest Amber Heard remains unappealingly limp.

Tatum is the film's strongest asset and his athleticism and agility are repeatedly tested by choreographer Alison Faulk. Pulses quicken when the dancers have their clothes on, gyrating suggestively against whooping clientele.

As soon as the trousers come down and shiny posing pouches succumb to gravity, the electrical charge dissipates. This might be the first film about "male entertainers" where the audience rowdily cheers "put 'em back on!"

It's been three years since Mike Lane (Tatum) turned his back on stripping to pursue his dream of running a custom furniture business. Times are tough: his girlfriend has left him, he's struggling to pay his one employee, and when his signature song - Ginuwine's "Pony" - blasts from the radio in his workshop, he can't resist a feverish grind against the nearest workstation.

Consequently, Mike reunites with fellow dancers Ken (Matt Bomer), Richie (Joe Manganiello), Tito (Adam Rodriguez) and Tarzan (Kevin Nash) for one final pelvis-thrusting hurrah as the Kings of Tampa at a strippers' convention in Myrtle Beach.

En route, the team's MC Tobias (Gabriel Iglesias) is waylaid in hospital, Richie finds a potential soulmate in an uninhibited Southern belle (Andie MacDowell), and the men learn new tricks from smooth operators Andre (Donald Glover), Malik (Stephen 'tWitch' Boss) and Augustus (Michael Strahan) at a private club called Domina run by sassy businesswoman Rome (Jada Pinkett Smith).

Aside from the protracted sequence at Domina that turns up the temperature several degrees, Magic Mike XXL is dull and disjointed. The road trip narrative is a creaky support for the poorly conceived vignettes in Reid Carolin's script, which conveniently forgets about Mike's faltering business, his customers and one employee as soon as he boards the van to Myrtle Beach.

Rome's affirmative message that all women deserved to be worshipped as "queens" by their men might ring true if the women in the film weren't dragged, pushed and spun around the floor like supermops by the dancers. It's one way to do the housework, I suppose.

Minions 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastChris Renaud, Sandra Bullock, Pierre Coffin, Steve Coogan, Allison Janney, Michael Keaton, Katy Mixon, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Minions 3D 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastPierre Coffin, Chris Renaud, Sandra Bullock, Steve Coogan, Allison Janney, Michael Keaton, Katy Mixon, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Mr Holmes 3 stars

movie title

The year is 1947 and Sherlock Holmes, now 93, is a shadow of the brilliant logician, who once held court at 221b Baker Street flanked by Dr Watson and Mrs Hudson. The ageing sleuth has retired to Cuckmere Haven, where he fusses over his beehives and infuriates his widowed housekeeper, Mrs Munro. Her spirited son Roger inspires Sherlock to delve into the fog of the past to recall his only unsolved case - a missing person enquiry in 1919.

  • GenreAdaptation, Drama, Thriller
  • CastSir Ian McKellen, Hiroyuki Sanada, Laura Linney, Milo Parker.
  • DirectorBill Condon.
  • WriterJeffrey Hatcher.
  • CountryUK/US
  • Duration104 mins
  • Official site
  • Release19/06/2015

No one is immune to the allure of that cruel and merciless mistress: time. She saps strength and suppleness from athletic bodies, defies every cream to wither beauty and dulls the sharpest intellects. Mr Holmes imagines the twilight years of one of literature's icons, who is facing the grim reality of dementia with what remains of his once-glorious wit, aided by doses of a rare restorative plant from Japan called Prickly Ash.

This Sherlock, portrayed with dignity and steely resolve by Sir Ian McKellen, is no longer the aloof master of deduction who traversed the pages of Sir Arthur Conan Doyle's imagination. Instead, he tends bees on the Sussex coast, haunted by the one case he failed to solve - if only he could recall the facts.

Bill Condon's slow-burning drama tests our little grey cells with a perplexing subplot: The Curious Case Of The Thrice Oscar-Nominated Actress And The Wayward Accent. Laura Linney is one of the finest performers of her generation, but here she is undone by a vocal delivery that roams wildly between the West Country, Ireland and America. Her valiant struggles are an unnecessary distraction.

The year is 1947 and Sherlock Holmes (McKellen), now 93, is a shadow of the brilliant logician, who once held court at 221b Baker Street flanked by Dr Watson (Colin Starkey) and Mrs Hudson (Sarah Crowden).

The ageing sleuth has retired to Cuckmere Haven, where he fusses over his hives, struggles to piece together fractured memories and infuriates his widowed housekeeper, Mrs Munro (Linney). Her spirited son Roger (Milo Parker) is fascinated by Sherlock and the boy shows a natural aptitude with the bees.

"Exceptional children are often the product of unremarkable parents," Holmes coldly observes, wounding Mrs Munro. The lad inspires Sherlock to delve into the fog of the past to recall his only unsolved case - a missing person enquiry in 1919 involving a distraught husband, Thomas Kelmot (Patrick Kennedy), and his beautiful wife Ann (Hattie Morahan).

As Sherlock's addled mind drifts between that ill-fated pre-war investigation and the present, the old man edges ever closer to an inglorious end.

Mr Holmes is distinguished by McKellen's measured central performance and the strong support from rising star Parker. The script slowly unravels the myth of the literary sleuth, including one bittersweet scene of the ageing Sherlock watching a film in which Basil Rathbone portrays him with unnatural gusto.

Plotting is pedestrian - there are no twists or big reveals - allowing us plenty of time to marvel at the picturesque locations, including one breath-taking shot of the White Cliffs of Dover. We'll meet Holmes again, in many different guises, but few will be as heartbreakingly frail or haunting as this.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Spy 4 stars

movie title

Susan Cooper is a deskbound analyst at the CIA, whose expert intelligence and quick-thinking help suave secret agent Bradley Fine to complete some of the Agency's most dangerous missions. He takes all of the acclaim while Susan remains firmly in the background. When Bradley and fellow agent Rick Ford are compromised, Susan puts herself forward for active duty to infiltrate the inner circle of arms dealer Rayna Boyanov and avert global disaster.

  • GenreAction, Comedy
  • CastJason Statham, Morena Baccarin, Rose Byrne, Allison Janney, Melissa McCarthy, Miranda Hart, Jude Law.
  • DirectorPaul Feig.
  • WriterPaul Feig.
  • CountryUS
  • Duration120 mins
  • Official sitewww.foxmovies.com/movies/spy
  • Release05/06/2015

Oscar-nominated actress Melissa McCarthy reunites with Bridesmaids writer-director Paul Feig for an action-packed mission, which would leave James Bond decidedly shaken and stirred by its unorthodox approach to 21st-century espionage.

Punctuated by thrilling chases and a frenetic knife fight in a restaurant kitchen, Spy is a terrifically entertaining caper, jam-packed with belly laughs and foul-mouthed outbursts. The hijinks are underpinned by another winning performance from McCarthy as a deskbound analyst at the CIA, who is championed for her moist homemade cakes rather than her sharp intellect.

Brains arm-wrestles brawn in Feig's politically incorrect and uproarious script, including an amusing cameo from rapper 50 Cent as himself and a juicy supporting role for Miranda Hart.

While the leading lady proves her doubters wrong in the name of world peace, Jason Statham lampoons his tough guy screen image as a CIA operative, who was clearly at the shallow end of the gene pool when they were doling out intelligence. One wordy scene - perhaps the most dialogue Statham has ever delivered in a single take - is a particular highlight.

Suave secret agent Bradley Fine (Jude Law) completes some of the Agency's most dangerous missions thanks to the quick-thinking and hi-tech gadgetry of analyst Susan Cooper (McCarthy). He takes all of the acclaim while Susan remains firmly in the background haunted by her controlling mother's mangled mantra: "well behaved women do make history".

When Bradley and the other agents, including British bruiser Rick Ford (Statham), are compromised, Susan puts herself forward for active duty to infiltrate the inner circle of arms dealer Rayna Boyanov (Rose Byrne). CIA deputy director Elaine Crocker (Allison Janney) places her trust in Susan to complete the perilous mission without any field experience.

"Track and report only," instructs Elaine. Guided by her dithering colleague Nancy Artingstall (Hart), Susan adopts a series of dowdy disguises to get close to Rayna without arousing suspicion. "I look like someone's homophobic aunt," remarks Susan about one of her fake personas. As Rayna prepares to sell a stolen device to Sergio De Luca (Bobby Cannavale), Susan throws caution to the wind to avert global disaster.

Opening with an extended action sequence and Saul Bass-inspired opening titles replete with a Bond-esque thunderous ballad, Spy is a rip-roaring treat. McCarthy throws herself into her role with gusto, mixing steeliness with lovability as she battles armed henchmen, speeds after a target on a scooter and tries to stop a bad guy from escaping in his helicopter.

Hart essentially plays herself, but she's a snug fit amidst a strong Anglo-American cast, who deliver Feig's zinging one-liners with tongues wedged firmly in cheek. The spirit of 007 pervades every glossy frame, but with old-school chauvinism turned on its head to affirm a message of girl power and independence.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Ted 2 3 stars

John has divorced Lori and Ted is poised to walk down the aisle with his sweetheart, a checkout girl called Tami-Lynn. Then disaster strikes. The state of Massachusetts decrees that a teddy bear is a piece of property not a person so Ted is stripped of his marriage certificate, job and identity. Consequently, Ted and John head into the courtroom with civil rights attorney Samantha L Jackson to argue that Ted is alive and deserves his rights.

  • GenreComedy, Romance
  • CastMark Wahlberg, Liam Neeson, Amanda Seyfried, Seth MacFarlane, Jessica Barth.
  • DirectorSeth MacFarlane.
  • WriterAlec Sulkin, Seth MacFarlane, Wellesley Wild.
  • CountryUS
  • Duration116 mins
  • Official sitewww.ted2.co.uk
  • Release08/07/2015

In 2012, writer-director Seth MacFarlane's mismatched buddy comedy Ted became a surprise smash hit, proving that man's best friend isn't always a dog. Sometimes, it's a walking, talking, potty-mouthed teddy bear with a penchant for beer, drugs and scantily clad ladies. The sequel unfolds six months after John (Mark Wahlberg) has divorced his bride Lori (Mila Kunis) and fur ball Ted (voiced by McFarlane) is poised to walk down the aisle with his sweetheart, a checkout girl called Tami-Lynn (Jessica Barth). Marriage is just the beginning of Ted's woes and the bear decides that the best way to save the relationship is to start a family. Unfortunately, he doesn't possess the necessary equipment so Ted and John hatch a bear-brained scheme to steal the sperm of a well-known athlete. The plot amounts to nothing, then disaster strikes. Ted loses his marriage certificate, job and identity because the state of Massachusetts decrees a teddy bear is a piece of property not a person. Consequently, Ted and John head into the courtroom to argue that Ted is alive and deserves his rights. They are aided by an idealistic and enthusiastic civil rights attorney called Samantha L Jackson (Amanda Seyfried), who is facing a formidable opponent in the form of tenacious prosecutor Shep Wild (John Slattery).

Terminator Genisys 2 stars

movie title

In the aftermath of judgment day, rebel leader John Connor hopes to give humanity a fighting chance by sending his friend Kyle Reese back in time to 1986 to protect his helpless mother Sarah from a shape-shifting Terminator. When Kyle finally catches up with Sarah, he discovers that he is in an altered timeline in which the Connor matriarch is a well-honed fighting machine, who already has protection: an ageing T-800 model Terminator.

  • GenreAction, Adventure, Science Fiction, Thriller
  • CastJai Courtney, Arnold Schwarzenegger, Emilia Clarke, Byung-hun Lee, Jason Clarke, JK Simmons.
  • DirectorAlan Taylor.
  • WriterPatrick Lussier, Laeta Kalogridis.
  • CountryUS
  • Duration126 mins
  • Official sitewww.terminatormovie.com
  • Release02/07/2015

In Terminator Genisys, the misfiring reboot of James Cameron's apocalyptic time-travelling saga, Arnold Schwarzenegger's cyborg assassin repeatedly references his advancing years in a dystopian world of young pretenders. "I'm old, not obsolete," he deadpans in that distinctive Teutonic growl. Alas, both the hulking Austrian action man and the blockbusting franchise are ready for the scrapheap.

Millions of dollars of special effects, some of them workmanlike, cannot disguise the fried circuitry of Laeta Kalogridis and Patrick Lussier's script, which is hard-wired with the muddled concept of alternate universes to explain the tweaks to this reimagined origin story.

Released in 1984, The Terminator tapped into timely concerns about nuclear warfare to explore a bleak future in which machines have rebelled against mankind and rendered our species almost obsolete. Terminator Genisys follows a similarly gloomy trajectory.

In the aftermath of judgment day, the last vestiges of mankind face complete extinction at the hands of the automata. Rebel leader John Connor (Jason Clarke) leads the charge in 2029 Los Angeles, flanked by best friend Kyle Reese (Jai Courtney).

"You gave us all a future, John. I'm going to use mine," proudly declares Kyle, who volunteers to venture back to 1984 to protect John's mother Sarah (Emilia Clarke) from a shape-shifting T-1000 (Byung-hun Lee).

When Kyle arrives, he discovers that he has gatecrashed an altered timeline in which the Connor matriarch is a ballsy warrior, who already has a protector: an ageing T-800 (Schwarzenegger), which she refers to affectionately as "pops".

Sarah, Kyle and the T-800 launch an assault on Cyberdyne Systems run by Miles Dyson (Courtney B Vance) and his son Danny (Dayo Okeniyi), who will unwittingly give birth to Skynet and bring about mankind's downfall. However, someone knows they are coming.

Terminator Genisys attempts to mimic Jurassic World by exploiting our nostalgia, but Alan Taylor's picture has neither the jaw-dropping thrills nor the wry humour of the rampaging dinosaurs. The multiple timelines become a tangled, knotty mess before the two hours are up, making us wish that Skynet had, in an alternate universe, infected the scriptwriters' computers with a virus and wiped this film from their hard drives.

Action sequences feel second-hand: duels between different model Terminators were choreographed with more flair in previous films and the culmination to a chase across the Golden Gate Bridge whiffs of The Lost World: Jurassic Park.

Faltering comic relief arrives in the form of JK Simmons' veteran LAPD detective, who is rescued by Sarah and Kyle in 1984 and drives his colleagues mad with far-fetched stories of killer robots.

"We're here to stop the end of the world," Sarah tells him.
"I can work with that," grins the detective.
Unfortunately, we can't work with Taylor's reboot. The end - including an additional scene secreted in the credits - can't come soon enough.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

Terminator Genisys 3D 2 stars

movie title

In the aftermath of judgment day, rebel leader John Connor hopes to give humanity a fighting chance by sending his friend Kyle Reese back in time to 1986 to protect his helpless mother Sarah from a shape-shifting Terminator. When Kyle finally catches up with Sarah, he discovers that he is in an altered timeline in which the Connor matriarch is a well-honed fighting machine, who already has protection: an ageing T-800 model Terminator.

  • GenreAction, Adventure, Science Fiction, Thriller
  • CastArnold Schwarzenegger, Jai Courtney, Emilia Clarke, Byung-hun Lee, Jason Clarke, JK Simmons.
  • DirectorAlan Taylor.
  • WriterLaeta Kalogridis, Patrick Lussier.
  • CountryUS
  • Duration126 mins
  • Official sitewww.terminatormovie.com
  • Release02/07/2015

In Terminator Genisys, the misfiring reboot of James Cameron's apocalyptic time-travelling saga, Arnold Schwarzenegger's cyborg assassin repeatedly references his advancing years in a dystopian world of young pretenders. "I'm old, not obsolete," he deadpans in that distinctive Teutonic growl. Alas, both the hulking Austrian action man and the blockbusting franchise are ready for the scrapheap.

Millions of dollars of special effects, some of them workmanlike, cannot disguise the fried circuitry of Laeta Kalogridis and Patrick Lussier's script, which is hard-wired with the muddled concept of alternate universes to explain the tweaks to this reimagined origin story.

Released in 1984, The Terminator tapped into timely concerns about nuclear warfare to explore a bleak future in which machines have rebelled against mankind and rendered our species almost obsolete. Terminator Genisys follows a similarly gloomy trajectory.

In the aftermath of judgment day, the last vestiges of mankind face complete extinction at the hands of the automata. Rebel leader John Connor (Jason Clarke) leads the charge in 2029 Los Angeles, flanked by best friend Kyle Reese (Jai Courtney).

"You gave us all a future, John. I'm going to use mine," proudly declares Kyle, who volunteers to venture back to 1984 to protect John's mother Sarah (Emilia Clarke) from a shape-shifting T-1000 (Byung-hun Lee).

When Kyle arrives, he discovers that he has gatecrashed an altered timeline in which the Connor matriarch is a ballsy warrior, who already has a protector: an ageing T-800 (Schwarzenegger), which she refers to affectionately as "pops".

Sarah, Kyle and the T-800 launch an assault on Cyberdyne Systems run by Miles Dyson (Courtney B Vance) and his son Danny (Dayo Okeniyi), who will unwittingly give birth to Skynet and bring about mankind's downfall. However, someone knows they are coming.

Terminator Genisys attempts to mimic Jurassic World by exploiting our nostalgia, but Alan Taylor's picture has neither the jaw-dropping thrills nor the wry humour of the rampaging dinosaurs. The multiple timelines become a tangled, knotty mess before the two hours are up, making us wish that Skynet had, in an alternate universe, infected the scriptwriters' computers with a virus and wiped this film from their hard drives.

Action sequences feel second-hand: duels between different model Terminators were choreographed with more flair in previous films and the culmination to a chase across the Golden Gate Bridge whiffs of The Lost World: Jurassic Park.

Faltering comic relief arrives in the form of JK Simmons' veteran LAPD detective, who is rescued by Sarah and Kyle in 1984 and drives his colleagues mad with far-fetched stories of killer robots.

"We're here to stop the end of the world," Sarah tells him.
"I can work with that," grins the detective.
Unfortunately, we can't work with Taylor's reboot. The end - including an additional scene secreted in the credits - can't come soon enough.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

This film is also showing at:

The Longest Ride 3 stars

movie title

Hunky bull rider Luke Collins is badly injured during the Professional Bull Riders tour and is lucky to walk away with his life. One year later, he musters the courage to get back on a bull and catches the eye of Sophia Danko. They go on a date and help an old man in distress called Ira Levinson, who has crashed his car. While the fledgling romance flourishes, Sophia visits Ira and he wistfully turns back the clock to reminisce about how he met his late wife Ruth in 1940.

  • GenreAdaptation, Drama, Romance
  • CastAlan Alda, Britt Robertson, Scott Eastwood, Oona Chaplin, Jack Huston.
  • DirectorGeorge Tillman Jr.
  • WriterCraig Bolotin.
  • CountryUS
  • Duration128 mins
  • Official sitewww.foxmovies.com/movies/the-longest-ride
  • Release19/06/2015

Based on the book by Nicholas Sparks, the undisputed maestro of slushy romantic fiction, The Longest Ride is a leisurely trot across emotional terrain that will be achingly familiar to any tear-stained fan of The Notebook or The Best Of Me. Beautiful people fall giddily in love in lustrous close-up, fate throws them a curve ball, separation seems inevitable, but they decide to risk everything for that one precious shot at forever, usually with the spectre of death hovering ominously over at least one of the characters.

George Tillman Jr's picture saddles up for that same narrative trek and lassos some sugary sentiment along the way in parallel timeframes, which handily share lessons of heartache and self-sacrifice in the past in order to provide characters in the present with a map to reconciliation.

Clint Eastwood's son Scott proves he has inherited his father's good looks and easy-going charisma as the swaggering hero, who believes in bringing a girl flowers on a first date. He gamely strips off to send the target female audience into a swoon and catalyses a pleasing on-screen chemistry with Britt Robertson.

Eastwood plays hunky farmer's son Luke Collins, who is badly injured during the Professional Bull Riders tour on a mean animal called Rango. The creature bucks violently before the allotted eight seconds and Luke is fortunate to walk away with his life.

One year later, he makes his comeback and catches the eye of university senior Sophia Danko (Britt Robertson). She is reluctant to pursue romance because she must leave North Carolina in two months for an internship at a New York art gallery.

Eventually, Luke and Sophia enjoy a magical first date and on the way home, they rescue an injured 91-year-old man from a burning car. The passenger - Jewish art collector Ira Levinson (Alan Alda) - recuperates in hospital and Sophia offers to read aloud his treasured love letters to his late wife.

These gushing missives spark flashbacks to 1930s and 1940s North Carolina when Ira (now played by Jack Huston) is instantly smitten with neighbour Ruth (Oona Chaplin) and they make a series of sacrifices to nurture the relationship. Past and present become entwined and Luke faces an agonising decision between bull-riding glory and his sweetheart.

Considering the excessive running time, The Longest Ride is an apt title for this unapologetically soppy confection. Aside from the attractive leads, Huston and Chaplin are solid in flashbacks and Alda brings gravitas to his underwritten role as the sage mentor in matters of the heart. He even adds a sheen of sincerity to the script's relentlessly corny dialogue.

Bull-riding scenes are impressive, especially when Tillman uses slow motion to capture the raw power of the beast, contorting and flexing wildly as tendrils of spit stream from its mouth.

Showtimes (Click time to book tickets)

Monday 6th July 2015
Tuesday 7th July 2015

This film is also showing at: